District

“The photos took place in Kyiv before the full-scale invasion.” The weight of these words, a few pages after the final photograph in Vladyslav Andrievsky‘s District, are hard to assess for anyone not living in Ukraine, anyone not experiencing the daily threat of being torn…

A Walk with Gerry Johansson

A Conversation with Yurie Nagashima

Stephen Shore’s Small-Camera Footnotes

Modernism’s Mechanical Tombstones

Rinko Kawauchi’s World of Wonders

Support Photobook Shops!

Picturing Roland Barthes’ Unseen Photograph

Glass Strenči

Photography and Masculinity

Day Sleeper

Thoughts on Dora Maar

Time Atlas

A Part of Marianne Müller’s Life

The Second Shift

The Form of the Photobook (Revisited)

After Social Media

Were it not for the nightmares.

You Haven’t Seen Their Faces: Contemporary Photography’s Stylish Muteness

Mari Katayama’s Gift

Making Pictures With Migrants

Making Sense of the World with Pictures

Lacuna Park

Making Pictures

Berlin-Wedding (and the rest of West Germany)

Fünf Finger Föhn Frisur

American Origami

Bath in Brilliant Green

Attention Servicemember

When Red Disappears

Photobook Reviews W39/2019

Images and Text, Text and Images

New Dutch Views

Photography in the Era of Digital Proliferation

Paula Markert’s voyage across Germany

家族 – A Fragmented Response to Masahisa Fukase’s Family

Your Post Goes Against Our Community Guidelines: An Algorithmic Rewriting of History

A World Held At Arm’s Length: Ke Peng’s Salt Ponds

Your Post Has Been Deleted – Censorship on Instagram

Photography and Surrealism: Sohrab Hura’s The Coast

The Battle over Visibility

Photographing a Zero-Sum Game

Camera Austria – A History

Federico Clavarino’s Vision

Why I Hate Cars

As Time Goes By

a Revolution through Books

The Stasi Files

Arwed Messmer: Revealing Glacial History

Heisei, Reiwa, and the Limits of Photography

Aenne Biermann’s 60 Fotos

Pure Country

Book Reviews W15/2019

Merit and Exclusion

Corbeau

Vele

Futerał: The Ideologies of Architecture

42 Orte, 35 Personen

Migration as Avant-Garde

Showcaller: The Politics of Looking

Photography in India