Liberia

“As a white, Northern European photographer who had spent almost ten years of his active career in the warzones of this world,” Andreas Herzau writes, “I had a tendency to seek out the problems: casualties of war, mass graves, the damage caused by the fighting,…

Into the Technological Sublime

Odd Time

Zenker

Issei Suda and Japanese Photography in the West

Thingstätten

Cai Dongdong’s History of Life

Angelus Novus

Photography and State Violence

Deutschland Deutschland

The Shabbiness of Beauty

Kosuke Okahara’s Dreams

Encampment, Wyoming

Dawoud Bey’s Street Portraits

A World That May Not Have Anything to Offer

Alles nur künftige Ruinen

I Don’t Recognize Me in the Shadows

Bad Ass and Beauty

Home Fires

The Photograph Isn’t the Landscape

The Twenty Years War

Still, Life

Tomorrow’s Snow

Photobook Reviews (W8/2021)

Woman Go No’Gree

The Green Helicopter

A Conversation with Karolina Gembara (cont’ed)

A Conversation with Karolina Gembara

Photography’s Table Top Joes

An Educational Archive

To pick up a book about stones

Alice Rose George 1944-2020

Photography’s Neoliberal Realism

The Biggest of All Small Miracles

An Attic Full of Trains Flattened in Time and Space (in which the reviewer short circuits)

Small Town Portraits

New books by Sibylle Fendt and Michał Adamski

The Locusts

Vaterland

The Social Photo and Collective Modern Life

Goraiko

Hiroh Kikai 1945-2020

Heart of Darkness

A Few Fragmented Thoughts on Michael Schmidt (In No Particular Order)

Portraits and Dreams

How to Add Words to Pictures

Tree and Soil

Photography in Racial Time

At the Foot of the Long Wall

Adam and Dyba Lach’s Look at Poland

Max Zerrahn’s Snake Legs

The Living Mountain

The Incredible World of Photography

Power, Consent, and Obligations in Photography

Patina in Photography

China Dream

Let’s Talk About King Leopold

A Life With Pictures: Yurie Nagashima’s Self-Portraits

Amoral Pictures

The Print, the book, the screen

Deveonte Joseph and the Class of 2020