Laissez Faire

If analogue photography has developed much of its allure from taking pictures of grimy surfaces, digital photography excels with glossy ones, especially if there is a lot of light around. I wouldn’t want to attribute any deeper meaning to that (at least for now). Over…

Perfect Pearl

Photography is a force that gives us meaning

Shiotani

Photography: An Insecure Craft

Cut with the Blade dada through the Last Beer-Belly Cultural Epoch of Photoland

Paris Nord

The Craft of Photography

Photography After Capitalism

The Beauty of the Body

A Conversation with Rob Hornstra

Tokuko Ushioda’s Family Photography

Stand With Ukraine

What do we give back?

A Game of Photos

In Limbo

The Hotel

A Conversation with Anne Schwalbe

Art and Politics

Yaga

Eikoh Hosoe

Against Illusionism

A Conversation With Lina Scheynius

Against Neoliberal Dogma: Art And Creativity

Deana Lawson

A Conversation With 10×10 Photobooks

The Background Story of Kikuji Kawada’s The Map

A Conversation With Jenny Kim

Closed For Renovation

Things Aren’t Always As Mother Reports

More on Consent

Zur Linde

i saw the air fly

Springs and Wells

Course of the Empire?

Billable Hours in 6-minute increments

Butterflies

The Enemy Is Us

Speak The Wind

Soft Copy Hard Copy

Liberia

Into the Technological Sublime

Odd Time

Zenker

Issei Suda and Japanese Photography in the West

Thingstätten

Cai Dongdong’s History of Life

Angelus Novus

Photography and State Violence

Deutschland Deutschland

The Shabbiness of Beauty

Kosuke Okahara’s Dreams

Encampment, Wyoming

Dawoud Bey’s Street Portraits

A World That May Not Have Anything to Offer

Alles nur künftige Ruinen

I Don’t Recognize Me in the Shadows

Bad Ass and Beauty

Home Fires

The Photograph Isn’t the Landscape

The Twenty Years War