Ein Dorf

Even as the following exercise is limiting in a number of ways, it would be instructive to describe the state of German photography since the end of World War 2 as being caught between two married couples, with all partners being photographers. You would have…

My favourite photobooks in 2013

Photobook Reviews (Week 51, 2013)

A few thoughts on Lewis Hine

In Defense of Merit

Conscientious Portfolio Competition 2013: The Winners

Review: Barbara Probst

Eva Vermandel’s Splinter

Hans-Peter Feldmann’s Katalog/Catalogue

TBW Books

Photobook Reviews (Week 46/2013)

The Challenge of Photography

Daniel Reuter’s History of the Visit

Review: Almost by Guy Archard

Reminder: Conscientious Portfolio Competition 2013

Review: Color by John Rohrbach

The Sochi Project and the Future of Storytelling

Photobook Reviews (Week 42/2013)

Stephanie Steinkopf’s Manhattan

Petra Wittmar’s Medebach

Tim Richmond in the American West

Adam Broomberg & Oliver Chanarin: Holy Bible

Mario Popham’s Enduring Growth

Review: Fukushima Black Rain by Soichiro Koriyama

Matthew Swarts and Beth

A Conversation with Thomas Weski

Photobook Reviews (Week 37/2013)

Vittoria Mentasti and a Woman With Two Names

Review: Top Secret by Simon Menner

Conscientious Portfolio Competition 2013

Review: The Wrong Side by Jérôme Sessini

Kevin Mertens’ Hurtland

Review: New York Arbor by Mitch Epstein

Hanna Fuhrmann’s Postindustrial Blues

Review: Berlin, Fruchtstraße am 27. März 1952/on March 27, 1952

Mayumi Hosokura and Beauty

A Conversation with Gerry Johansson

Review: Muge’s Ash

Birte Kaufmann’s Irish Travellers

Review: Occupy São Paulo by Carlos Cazalis

A Conversation with Adam Broomberg & Oliver Chanarin

Guillaume Simoneau’s Love and War

Petros Koublis’ Minor Landscapes

Photobook Reviews (Week 28/2013)

Photography’s Existential Dread

Vanessa Winship: She Dances on Jackson

Visualizing the past: Ulrike Schmitz

Oliver Kern’s German View

A Conversation with Joachim Brohm

Why Mister, Why? by Geert van Kesteren

Looking at Nelli Palomäki’s Portraits

David Moore’s Pictures from the Real World

Edmund Clark and the National Security State

Paul Walsh’ Isolated Coastline

Review: Martin Boyce’s A Partial Eclipse

Amani Willett’s Disquiet

The Second Life of Andrew Miksys’ Photographs

Shinji Otani’s The Country of the Rising Sun

Sibylle Fendt and the inner life of Elke Gärtner

Massimo Sordi’s Changing India

Photobook Reviews (Week 21/2013)