The long sunset: Daidō Moriyama’s Record

It’s fair to note that Daidō Moriyama’s photography have found their true expression through print publications. The same can be said for many other Japanese photographers, given that in Japan the gallery system did not play the role it did in the West. For a…

Hanna Fuhrmann’s Postindustrial Blues

Review: Berlin, Fruchtstraße am 27. März 1952/on March 27, 1952

Mayumi Hosokura and Beauty

A Conversation with Gerry Johansson

Review: Muge’s Ash

Birte Kaufmann’s Irish Travellers

Review: Occupy São Paulo by Carlos Cazalis

A Conversation with Adam Broomberg & Oliver Chanarin

Guillaume Simoneau’s Love and War

Petros Koublis’ Minor Landscapes

Photobook Reviews (Week 28/2013)

Photography’s Existential Dread

Vanessa Winship: She Dances on Jackson

Visualizing the past: Ulrike Schmitz

Oliver Kern’s German View

A Conversation with Joachim Brohm

Why Mister, Why? by Geert van Kesteren

Looking at Nelli Palomäki’s Portraits

David Moore’s Pictures from the Real World

Edmund Clark and the National Security State

Paul Walsh’ Isolated Coastline

Review: Martin Boyce’s A Partial Eclipse

Amani Willett’s Disquiet

The Second Life of Andrew Miksys’ Photographs

Shinji Otani’s The Country of the Rising Sun

Sibylle Fendt and the inner life of Elke Gärtner

Massimo Sordi’s Changing India

Photobook Reviews (Week 21/2013)

A ride to Rockaway Beach with Rob Stephenson

Looking at Dorothea Lange’s Migrant Mother

Photobook Review: Vers l’Orient by Marc Riboud

Jens Sundheim & Bernhard Reuss – The Traveller

A New Site

A Conversation with Christian Patterson

A Conversation with CPC 2012 Winner Hye-Ryoung Min

Riverfront by Curran Hatleberg