Fault Lines

Ever since Vaterland, my first photobook, I have been following the rise and spread of neofascism in Europe and beyond. Since my book was published, anti-democratic forces in Germany have more than doubled their vote share while democratic parties have adopted far-right talking points. It’s…

How to Do The Flowers

Revealing a Fishy Story

Christopher Anderson and the Joy of Seeing

Writing about Photography: Three New Books

Barbara Bosworth’s Heavens

Michael Lange’s Neo-Provoke

Cristina de Middel’s Perfect Man

The Precious-Picture Complex

Fundraiser 2018

RIP Hannes

Photography’s Macho Cult

Experimental Relationship

Approaching Luigi Ghirri

All that Stuff

Mind the Gap (or: What is Criticism Anyway?)

Photography and Fake News

42nd and Vanderbilt (and everywhere)

Big Brother

And Time Folds

Human

About those ratings…

Two Times Twelve Million Black Voices

Rayon Vert

Gerry Johansson’s Germany

The Photobook as Political Art

Waffenruhe

Picturesque Poverty: Contemporary Photography’s Ugly Game

Merrie Albion

Success in Photography

Book Reviews W16/2018

Anne Morgenstern’s Reinheit

The Drake Equation

Traces

Anastasiia

Whispering Hope

Gold and Silver

Towards a Photobook Taxonomy

Photobook Reviews W08/2018

Ballenesque

The Archives

Photobook Reviews W05/2018

A Conversation with Laia Abril

Pictures and Text, Text and Pictures

The Danger of Trends

Photobook Reviews W01/2018

Dear Japanese / The Restoration Will

The Japanese Photobook 1912-1990

Photobook Reviews W49/2017

Photobook Reviews W48/2017

Reading Raymond Carver

Annie Leibovitz’s Capitalist Realism

Views of Japan

Taking Up Moholy-Nagy’s Mantle

Photobook Reviews W43/2017

The Island of the Colorblind

Withdrawn

A Conversation with Rafał Milach

Fundraiser 2017

Transgressive Photography