Fault Lines

Ever since Vaterland, my first photobook, I have been following the rise and spread of neofascism in Europe and beyond. Since my book was published, anti-democratic forces in Germany have more than doubled their vote share while democratic parties have adopted far-right talking points. It’s…

APP: Three Years Later

The Problem with Helmut Newton

Ábel Szalontai’s Repetitive Sublime

Céline van Balen 1965-2023

Kazumichi, Hiromichi: Daidō

A Certain Idea of a Natural History

We Stay

Україна Yelena Yemchuk

Hidden under the Amstel

Un cuerpo escupe sol

A Sense of Longing

Whose Responsibility?

Glückauf

Against Narrative

See you in June!

Conversations about Germany: Thomas Weski

Depravity’s Rainbow

Photography and Art

Better Not Move

Thoughts on AI Images: Art, Very Convincing Nonsense, and Visual Literacy

Another world

This Almost Empty Road

1912 – 1949 – 1978

Photography’s Deceit: Our Deceit

On Rape

About Time

The Presence of Something Past

Melody of Light

Burgbergstrasse

Small Myths

The Sleeping Island

Master Rituals

Conversations about Germany: Anne Morgenstern

Winter Workshops 2023

Conversations about Germany: Tobias Kruse

How to read a photobook

El juego de la madalena

Memories like falling rain

The Holistic Method of Photography

The Land of Promises

Outside Room 8

Flipping the Bird

Recommended Readings

Some Say Ice

Dall.E Vaterland

Conversations about Germany: Jonas Feige

I Just Wanna Surf

The Unassuming Photobook

The Death of the Artist (or: On the Arts Economy)

Failing Forward

“I was close to Americans”

Klara and the Bomb

Beautiful, Still.

Let’s Talk About Our Tools

Isivumelwano

Mentoring, Workshops

Verdigris

The Politics of American Property

The Devil Is Leaving His Cave

Abdo Shanan’s Dry