Flächenland

The really infuriating aspect of Stephanie Kiwitt’s Flächenland (2020-2022) is that it contains a really good photobook that’s hidden inside a pretty bad one. Here’s the thing: The challenge of photobook making is not to become too enarmored with one’s own cleverness. You have to…

A Bright Room

Anima Mundi

Pestka

between the skin and sea

The Rest Is Memory

Photographers After Social Media

Ambience Decay

Sophie Calle: Oversharing

Fault Lines

Our Lonely Selves

Splinter

The long sunset: Daidō Moriyama’s Record

I saw a tree bearing stones in the place of apples and pears

Gate Hack Eden

You Can Fix a House With Enough Duct Tape

Portraits in Life and Death

Costa Bravo Holiday Paradise

Iuzza

History of Poland Vol. 2

The African Gaze

Advice for Young Artists

Encyclopedia of the Uncertain

Japanese Theaters

It’s that you’re here

Passing by Beijing

Thoughts on THAT Photo

Ando

Fugue

27 Drafts

The Casino-Capitalist Photobook Festival

The Memories of Others

The Hampton Book

The Meme Is the Message

Ordinary Notes

The Japanese

A Conversation with Thana Faroq

Lebensborn

The project is not your friend

Hermes/Unesco

Ein Dorf

Is your project merely a series of photographs?

Songs in a strange land

Ordinary People

Behold the digital Wunderkammer!

Exteriors

Rental Person Who Does Nothing

Women at Work

Deutschland im Herbst

Ordinary Things

Laurie

Gerry Johansson — The Beginnings

A new view of photography

Packing My Library

Was Ray a Laugh?

Claire Dederer’s Monsters

how shall we greet the sun

Koechlin House

The Sapper

The Oldest Thing

Thirty-six Views of Mount Fuji